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++orientations++
Take a deep breath in through your nose, and a deep breath out through your mouth. Feel the air circulate in your body — your nostrils, your tubes, your lungs, your belly, but also all your cells and tissues, until the end of your body parts, the top of your head, your hair…
Let the air fill your belly, this breathing brain of ours that we sometimes forget about when we are too concentrated or stressed. Make space for gut feelings.
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++inverting by design++
As you are navigating the space, you feel a deep sense of access intimacy, that feeling that you access needs are understood, and that you don't need to struggle orientating and getting the contents. “That kind of eerie comfort that your disabled self feels with something on a purely access level” says Mia Mingus. What concrete elements are helping that feeling?
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++inverting by design++
++orientations++
Because “you don't need to be fixed, my queens — it's the world that needs the fixing” sings Johanna Hedva.
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++interdependencies++
As Caroline Lazard says “Access has this capacity to break through medium. Contents might exist as a description, as sign language, as a transcript, or as a tactile object.” How do you feel about the coexistence of different medium? Do they add to each other? Do they interfere with your understanding?
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++technovernacular creativity++
A voice, maybe just in your head, invites you: “Write with your eyes like painters, with your ears like musicians, with your feet like dancers. [write with your mouth stick, your voice recorder, blink, blow...] You are the truthsayer with quill and torch. Write with your tongue on fire.”
Gloria Anzaldùa walks with you in this space too.
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++technovernacular creativity++
The contents, the interface, the tools and you are existing in interdependence. “Weaving relational circuits between bodies, environments, and tools to create non-innocent, frictional access. [...] A collective political experience of world-building and dismantling. [...] Material-discursive entanglements that take shape through struggle, negociation and creativity”
What does these thoughts by Aimie Hamraie inspire you? How can it take shape?
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